Summer Redwork Adventure

Where did the summer go? I can’t believe it’s already September 9th. Time just seems to have passed so quickly I didn’t realize it’s been so long since my last post. Here are the highlights of a recent adventure to Washington State.

On August 4th and 5th, Stephen and I went to the Pomeroy Living History Farm where I gave talks on the History of Redwork Embroidery.

The Pomeroy Farm is really beautiful. Near Yacolt, Washington, the farm is an interactive educational museum depicting domestic and farm life from the early 20th century. There is a log home built around 1920, a working blacksmith shop, a barn, various animals, herb and vegetable gardens, a pasture, and a woodlot. My trip was scheduled to coincide with the Pomeroy Farm Quilt Show showcasing beautiful quilts on the fences and in the barn. The weather that weekend was absolutely perfect for a quilt show--in the 70s with a nice light breeze to gently blow the quilts around in the sun. Vendors sold a variety of old quilts, fabrics, notions and other goodies, and the Redwork embroidery club from Anna Lena’s in Long Beach, Washington were on hand to demonstrate Redwork embroidery techniques. They also brought along a variety of quilts for the show.


Pomeroy Living History Farm


A Quilt Display

My talk centered around Redwork embroidery and how it got started here in the United States in about 1876. It was during that year a display of embroidery from the Kensington School in England was featured at the Philadelphia Exposition. The Kensington Stitch, as worked by these students, became known later as the outline stitch--the type of needlework used to create Redwork embroidery. Eventually, this work was simply called Redwork (or Bluework if you were working in blue). For illustration, I brought my collection of antique Redwork quilts, pillow shams, splashers and other items with me for show and tell.

Redwork Embroidery was extremely popular as a method of adorning everyday items through the 1920s-30s. It is currently enjoying popularity again. I enjoy doing Redwork myself. In the evenings, especially when I’ve had a busy day, I work on Redwork embroidery projects to relax and have fun.


Vendors at the Pomeroy Quilt Show

Noel Johnson of lewisriver.com was at one of my talks and took a selection of photos of me with my quilts and Redwork embroidery items. (Click here to take a look!) I wish you could have been there with me. The first guy in Mr. Johnson’s selection of photos is Farmer Bob, owner of the Pomeroy Farm. He introduced me before each session. The other guy in the Hawaiian shirt is my husband Stephen. He helped out during my sessions; he spent the rest of the time exploring the Farm and generally having fun.

If you are ever near the Pomeroy Living History Farm during their open farm weekends, you will want to see for yourself how fun and educational this place really is!

Have You Joined Our Party?

Patchwork Party 2007-Fall Edition has begun and we couldn't be more exited about it. We've been working hard behind the scenes to get everything ready for this special and popular program. This season's edition features beautiful blocks designed by Marti Michell using Marcus Brothers’ Home for the Holidays fabric collection by Faye Burgos.

It works quite simply. Each "party-goer" collects one of the twelve blocks from each of the online merchants participating in this year's program to get that shop's exclusive quilt block kit. Our exclusive block is “Hearts in the Stars.” Isn’t it beautiful?


Hearts in the Stars

In addition to our own exclusive quilt block kit, we’ve created a way for you to turn all twelve of your collected blocks into a stunning quilt titled “Star of Destiny.” Our finishing kit includes the pattern and all the fabric you need to add to the blocks to create a quilt top big enough to fit a queen-sized bed (85” square). You might note that the fabric is the Marcus Brothers’ Home for the Holidays collection designed by Faye Burgos. Faye’s fabric designs are totally drop dead gorgeous. She’s the one who created that beautiful pansy pattern that Marcus Brothers has been offering for over ten years now.


Star of Destiny

Our "Star of Destiny" quilt was designed by Barbara Lewis. I put it together and then sent it to Linda Perry of A Stipple in Time for quilting. It is available in three different packages so you can choose the one that is best for you.

In addition to our Star of Destiny Finishing Kit, we also created a wall quilt coordinate. Originally designed by Jane Davis, our wall quilt was constructed by Marge McCanse and quilted by Linda Perry. Seasonal Celebrations features four seasonal appliqué wreath designs which you can create using either traditional or fusible web appliqué methods. For your convenience, all the fabric you need to complete the quilt top and binding are included. We also offer matching pillowcases to complete the Star of Destiny ensemble. Click here to browse everything we have to offer for this year's fabulous party!

To see all of the beautiful quilts done by each of the 12 participating shops, the patchwork party website includes a quilt gallery where you can view them all. A planning guide and tips on quilting and sewing are also included at the official website to get started collecting your blocks for this fantastic program and to view the completed quilts.

The 12 shops participating in Patchwork Party Fall Edition 2007 program are: Anna Lena’s, Cabbage Rose, Cottage Quilts, Everything Quilts, Fat Quarter Shop, Grandma’s Attic, Homespun Hearth, Quilt Something, Quilter’s Quarters, Stitchin’ Heaven, Sunshine Carousel and Suzanne’s Quilts.

Coburg Quilt Show

Saturday, July 28 was the Coburg Quilt Show in Coburg, Oregon. Stephen and I drove down there just in time for High Tea. The weather could not have been more perfect for an outdoor quilt show--in the 70s with a soft breeze.

I spent most of the afternoon appraising quilts. Some of the attendees at the Show brought treasured quilts from home to be carefully evaluated and appreciated. Among them were several crazy quilts made from scraps of antique fabrics, a couple of double wedding rings, and two beautiful floral quilts made from kits in the 1960s or 70s.


Appraising a "Double Wedding Ring" Quilt

On display at the show was a Crazy Quilt from 1885. One of the crazy quilt blocks included a civil war ribbon with crossed swords that had belonged to the woman's ancestor. The quilt--a living and tangible piece of history--was just incredible to see.


1885 Crazy Quilt

Later in the afternoon, I gave a talk on the "Care and Feeding of Vintage Quilts" and brought a little show-and-tell of my own as a back drop. I also found a set of antique Redwork pillow shams at a local antique store and also purchased a vintage "Trip Around the World" quilt to display at the shop.


Quilt "Show and Tell"


Quilts in the Breeze

It is always pleasure to meet and talk to quilters about their tremendous love of quilting. And, of course, it's just as delightful to see how they've expressed their creativity in all their wonderful and diverse creations. Overall, it was a very fun day. Stephen and I loved the opportunity to be a part of this terrific show!

Virginia Tech Memorial Project

As you may already know, we've received a tremendous response to the Virginia Tech Memorial Block project. We've literally received hundreds of blocks for this project, an outpouring of love and concern for the everyone who has been touched by the tragedy of the Virginia Tech shootings. The project has moved solidly into its next phase, so now is perhaps a good opportunity to provide an update of its ongoing progress.

The first step of the project, the creation and submission of the blocks, has already been completed. As you have already seen in our previous posts, we have displayed many of these beautiful quilt blocks in the classroom area of Grandma's Attic to inspire others to participate and to generally give heart to all of those who have seen it. These individual blocks are already a moving testament to the power of quilts and the fiber arts to help people heal after a national tragedy.

The second stage of the project is in full-swing: the documenting and photographing of every block we have received. We feel that it is appropriate to honor and acknowledge each block submission by preserving both the names of the block creators and the images of the blocks they have created. As we are in fully in the midst of this second stage, we are perhaps better able offer some detail about its progress.

For example, we have compiled a large database containing both the name of the block and the person who created it. Furthermore, each block has been assigned a number so that it can be easily referenced in the database when necessary. In addition to this compilation of information, we have collected a large binder filled with the completed block submission forms and any other accompanying correspondence we may have received.

But, perhaps even more intensive than compiling the database in this second phase is photographing each individual block. This is the part of the project we are in now. The blocks are first pinned to a flat background as carefully as possible and any stray threads that have happened to have covered the block are carefully removed with a lint roller. The lighting and the camera settings are adjusted just so for each block and the picture is taken. As these are digital pictures, each block image must then be reviewed at a later point on the computer to see if it is a good image or needs be retaken.

We have already begun the initial part of the third stage of the project: the assemblage of the blocks into separate quilts. We're still planning how to organize this third stage, but we are already lining up the quilters who will be performing this important and emotional task.

As you can see, there is a lot of work that is still ahead of us. Above all, throughout all these first stages, throughout the project as a whole, our ultimate goal is to give the proper and appropriate respect that each block deserves on it's way to its final inclusion in quilts to be presented to Virginia Tech.

Beautiful Batiks and their History!

Batik prints are among the most popular fabrics in the United States today--indeed, throughout the world. And it's easy to see why. Batiks come in an astonishing array of lovely colors and pleasing motifs: from beautiful plants and flowers awash in a warm sea of reds and purples to graceful butterflies, birds, and fish slipping through the cooler shades of greens and blues. The desire to capture these beautiful colors and designs in our own projects can be practically irresistible. In the act of admiring a brightly colored batik print, we often found ourselves wondering how these lovely types of fabric came into being. Here is the Batik Story.

Batik prints (pronounced BAH-teek), as they are known today, are generally acknowledged as being developed centuries ago in Java, now part of modern-day Indonesia. In the past, batiks had been worn as sarongs and head-coverings as public markers of identity that could sometimes tell the story of a person's social rank, economic class or even ethnicity. The word "batik" derives from two other Javanese words, "amba" and "titik," words which signify "drawing" and "writing" respectively.

Perhaps one can see the relationship between drawing and writing since, in order to make a batik by hand, one must draw or write on a piece of fabric with hot wax pen in a process called "canting." Next, paint is applied over and between the wax design. And finally, the fabric is re-waxed, dyed, and boiled. Since the wax resists the variously applied paints and dyes, when it is removed the intended design is seen in the final overall piece.

Although traditional methods for making Batiks by hand are still used today, most modern Batiks are made in the factory using roughly the same process. In 1850, the first method for making Batiks in a factory was developed to meet the then burgeoning European fashion market. In this first factory method, a metal stamp (called a "cap") was heated and dipped in hot wax, and the design was literally stamped into the fabric. The fabric was then laid out and hand painted, and ultimately re-waxed with black to prevent the background colors from penetrating the new pattern. The cloth was then dyed to produce the brilliant colors and boiled to remove the excess wax.

In the late 19th century, Europeans were fascinated by Batik prints and some even had individual pieces framed as works of Art. Batiks were commonly seen as interesting pieces most suitable for home decor. The hand-made craft element of Batiks also appealed to the Europeans because they resisted the mass-produced home decorations then available and, in this sense, partially allayed their anxieties about the increasing pressures of the relatively new Industrial Revolution.

Today, Batiks play an invaluable role in our various quilting and fabric projects. You can see batiks in everything from beautiful batik butterflies in decorative wall-hangings, to colorful blocks in a large bedroom quilt or even to a fun summer tote-bag. If you're inspired, be sure to check out our lovely selection of batiks in their stunning array of colors and designs. Batiks can make a special project even that much more special!

Peanuts and Peanut Butter Cookies

We love peanut butter cookies. They’re pretty yummy, don’t you think? My grandmother loved to bake peanut butter cookies and I loved to eat them. So we got to thinking about the history of the peanut itself. When I think of peanuts, I think of George Washington Carver, baseball games, and peanut butter cookies. If you’ve ever wondered about peanuts, here’s a short history.

Peanuts originated in South America, probably in Brazil or Peru. At the time when the Spanish were exploring the New World, peanuts were being grown as far north as Mexico. It was the Spanish who introduced peanuts to Europe in the 15th Century, and the versatility and uses of the peanut were quickly realized. Portuguese slave ships began carrying peanuts as an essential food. Still later, traders further carried the peanut to Africa, Asia and many other parts of the world.

The Africans themselves regarded the peanut as one of several plants possessing a soul. It is interesting to note that the word “goober” comes from the Congo name for peanuts—nguba. When the Africans were brought to North America as slaves, peanuts came with them and were planted throughout the southern United States.

Considered an excellent food for pigs, peanuts were initially called groundnuts in the 1700s. When peanuts began to be grown commercially in the United States in the 1800s, early American records show that, in places like South Carolina, peanuts were used for oil, food, and as a cocoa substitute. During the Civil War, soldiers on both sides ate peanuts as food. Yet, they were not grown extensively because they were slow and difficult to harvest. At the time, they also had the distinction as being food for “the poor.”

Around 1900, equipment for planting, cultivating, harvesting, and picking peanuts from the plants, and for shelling and cleaning the kernels were developed. Mechanization made it more economical to sell roasted and salted nuts, peanut butter and candy. During the last half of the 19th Century, peanuts were sold fresh roasted by street vendors and as a popular snack at baseball games and circuses.

In 1903, George Washington Carver (1864-1943) began researching the peanut at Tuskegee Institute. He developed more than 300 uses for peanuts including shoe polish and shaving cream! He improved peanut horticulture so much that he is considered to be the “father of the peanut industry.” As a botanist, he recognized the value of peanuts as a cash crop and proposed that they be planted as a rotation crop with cotton in areas where the boll weevil threatened the agricultural base. His rotation method made the soil healthier and kept the boll weevil at bay. Today, peanuts contribute more than four billion dollars to the United States economy each year. Americans eat more than 600 million pounds of peanuts and nearly 700 million pounds of peanut butter each year.

Check out our great Peanut Butter Cookie recipe!

Grandma Ann's Peanut Butter Cookies

1/2 cup peanut butter (smooth or crunchy)
1/2 cup butter
1/2 cup light brown sugar
1/2 cup granulated sugar
1 large egg
1 and 1/4 cups all purpose flour
1 teaspoon pure vanilla extract
1/2 teaspoon baking soda
1/4 teaspoon salt

Preheat oven to 350F degrees and place rack in center of the oven. Line 2 baking sheets with parchment paper and set aside.

Mix together the butter and sugars with an electric mixer under they are light and fluffy (about 2-3 minutes). Add in the egg and vanilla extract and beat to combine. Mix in the peanut butter. In a separate bowl whisk together the flour, baking soda and salt. Add to the peanut butter mixture and beat to combine. Roll the dough into 1 inch balls. Roll them in white sugar and place on the prepared baking sheet about 3 inches apart. With a fork, press down the tops of the cookies, marking them with a criss-cross pattern.

Bake for approximately 9-11 minutes or until the cookies just start to brown along the edges. Cool on a wire rack.

Makes about 2 dozen cookies.

Betsy Ross

When I think of the American Flag, I think back to Betsy Ross and wonder: Did she really make the first American flag? Most contemporary historians doubt the popular legend of Betsy Ross sewing the original stars and stripes. However, it is so compelling that when President Woodrow Wilson was asked his opinion of the story, he replied, “Would that it were true!”

Here’s what we do know about Betsy Ross and the American flag. Betsy was born Elizabeth Griscom in 1752. She married John Ross, a Philadelphia upholsterer, and worked as a seamstress. When John Ross was killed in a munitions explosion in 1776, Betsy kept the upholstery shop going. She claimed that George Washington was one of her customers.

Nearly one hundred years later, in 1870, William J. Canby, one of Betsy’s grandsons, told of the supposed making of the first American flag at a meeting of the Historical Society of Pennsylvania. He said that, when he was eleven-years-old, Betsy Ross herself told it to him shortly before she died. According to Canby:

George Washington was a frequent visitor to the home of Mrs. Ross before receiving command of the army. She embroidered his shirt ruffles and did other things for him. Therefore, Washington knew her skill with a needle. As the General of the Continental Army, George Washington appeared on her doorstep around the first of June, 1776 with two representatives of Congress, George Ross and Robert Morris. They asked her to make a flag according to a rough drawing that they carried with them.

General Washington suggested 13 stars and 13 stripes. His version of the stars had six points. Betsy showed him how to make a beautiful five pointed star by folding a piece of paper and taking only one snip. Washington was very impressed, so the design was changed to five pointed stars instead of six. Betsy placed her stars in a circle and the stars and stripes design was adopted by Congress on June 14, 1777.

The painting below of Betsy Ross sewing the first flag was done by Charles H. Weisgerber. First displayed at the Columbian Exposition in 1893, it depicts the meeting of the fabled flag committee with Betsy Ross. Entitled “Birth of Our Nations Flag,” it is actually a composite portrait made up from pictures of Betsy’s granddaughters and other descendants. This painting was included in a book written by Canby’s brother, George Canby and nephew Lloyd Balderson in 1909 to bolster the claims made by Betsy’s grandson that she had made the first American flag. It was also reproduced in school history textbooks and used to make money in order to purchase the Betsy Ross house in Philadelphia.


Birth of Our Nations Flag

Historians have continually searched government records in order to prove Canby's account is true but so far they have been unable to find irrefutable evidence to support the popular legend. However, interestingly enough, they have been able to find some evidence that indicates Betsy Ross did make flags for the Pennsylvania State ships. In the minutes of the State Navy Board of Pennsylvania, there is an entry for May 29, 1777 that reads as following: “An order on William Webb to Elizabeth Ross for fourteen pounds twelve shillings, and two pence, for making ship’s colors, &c, put into Richards store.” Nevertheless, despite this apparent lack of historical evidence, descendants of Betsy Ross state that she was a truthful woman and had no reason to make up fanciful stories.

Another interesting tale related to this flag making legend is that after the Continental Congress Committee’s had visited Betsy Ross’s shop, a fellow church member saw the star that Betsy had cut out for them and asked to keep it. In 1925, the family safe of this church member was opened and inside was a five pointed star! It is now on exhibit at the Free Quaker Meeting House in Philadelphia.

A fair portion of historians believe that it was Francis Hopkinson, not Betsy Ross, who designed the official “first flag” of the United Sates. Hopkinson was a member of the Continental Congress and a signer of the Declaration of Independence. But, regardless of the truth of the Betsy Ross Legend, the story told by her grandson is quite enchanting.

If you would like to learn how to make a five-pointed star with just one snip of the scissors, follow this link HERE. If you're inspired to make your own patriotic project for the summer, click HERE.

Chicken Pictures

In early May, I said that I wanted to post pictures of the baby chicks so you could see how much they've grown! Well, here they are! They're awfully shy and don't pose for pictures as well as the older chickens do. While the older chickens are roaming the backyard for the treats Stephen will occasionally give them, the younger chickens hide underneath their coop! The picture below is a rare moment of bravery for three of them who ventured as far as the barnyard gate! The white chicken is the most noticeable, but they're all fun to watch.



Below are pictures of the older hens who occasionally will lay an egg in the yard instead of the coop. (On most evenings, when the chickens have been let out into the yard, Stephen will go on a mini-easter egg hunt to scoop up any of the stray eggs.)

1930's Era Reproduction Prints

If you've ever looked through our store, either in our shop or online, you already know about our large selection of 1930's reproduction fabrics. These fabrics are among the most popular in our store, and it is not hard to see why. Whimsical designs elegantly combined with a pretty array of color makes these fabrics an absolute must have. But did you know the history of these fabrics?

During the 1930's, a quilt revival took place, a revival brought about by the hard economic times of The Great Depression. The resulting need to be thrifty, coupled with a strong need for socialization, brought women from across the country together around their quilting frames. Eleanor Roosevelt's campaign for American Arts and Crafts further helped propel quilting to the forefront of activity. One would frequently see quilt patterns appearing in local newspapers and sales catalogs. Newspapers and catalogs also advertised and delivered the necessary fabric and supplies the women needed to make their various projects.

World War I also played a role in the development of the 1930's fabric. For example, as a direct result of the war's end, pastels began to appear. Germany's surrender meant it lost all the dye patents it had previously held. Pinks, Blues, Yellows, Greens, Reds, Aqua, Peach, and Lavender made with these synthetic dye patents began appearing on cotton goods containing popular designs: flowers, geometrics, conversationals, and Art Deco motifs.

According to Quilt Historian Sharon Newman, author of the book Treasures from Yesteryear, the designs of the previous decade, the 1920's, were smaller, closer together, and overall more dense. But by the 1930's, prints had a bit more space around the designs with white grounds. Some of those trends continued in the 1940's. Fabrics saw even larger designs, more conversationals appeared, and many patriotic or military type themes became increasingly popular. And that's the story!

Just recently, we've received two collections of 1930's reproduction fabrics: Little Darlings Five and Mama's Feedsacks. If you would like order either one, just click on their names or visit our online shop and browse through our 1930's fabric department. If while you're there, and the spirit moves you, you can also browse our whole collection of these wonderful reproduction fabrics.

New Arrivals

During the past month or so, we've received some great products that we just have to tell you about. We're always on the look out for great new stuff, most of which you can see on our Newest Additions page. We love to look at all the neat stuff that comes through our door, and sometimes we feel that certain products deserve a special mention. For example, look at these three fabulous items:


MODA SHADOWS. This is the most gorgeous group of blender fabrics I’ve seen in a long time. By Moda, these tone on tone prints are drenched in color. They’re quite like marbles, only instead of the marbled appearance, they have the subtle print of cotton bolls in the design. In fact, I loved the way they looked so much, we brought in the entire line. Click HERE to order.


PEAS AND CARROTS. Who can resist these adorable fabrics featuring life on the farm? Can’t you almost smell the hay while you envision taking a ride on a rope swing? Designed by American Jane for Moda, the Hole in the Barn Door Quilt kit contains the fabric and pattern that you need to make a good sized quilt (76” x 84”). Plus, the kit comes in the most adorable lunch box sized collectible tin reflecting the theme of the fabric. This is just cute, cute, cute!! American Jane has also designed an entire line of Peas and Carrots fabrics. We love them! Click HERE to order.


MAGIC VINE QUILT. If you had been quilting in the 1930s, you probably would have known about the Nancy Page newspaper column that appeared during that time. Nancy Page was the pen name of a woman named Florence LaGanke Harris. She produced a variety of quilt patterns that ladies of the day liked to cut out and save to use in quilt making. Her Magic Vine quilt appeared during this time and was very popular! Eleanor Burns’ new book shows you how to make your own Magic Vine Quilt. Eleanor shows you here different settings, two appliqué techniques for creating the flowers, and sets out options for finishing methods. Full-color instructions are also included. Click HERE to order this wonderful book.

Virginia Tech Block Update!

The blocks you see here are only a small sampling of the Virginia Tech Memorial Quilt Blocks that we have received to date. We are in the process of documenting and photographing all of these special and moving blocks. Here at Grandma's Attic, approximately 172 of the more than 500 blocks that we have received are hanging on the walls of our classroom. If you can, we encourage you to visit us and see these lovely blocks in person. We hope to make all of the block photos available in the near future.

Needless to say, receiving quilt blocks and messages from all over the world has completely blown us away. At night, when no one is in the shop, I've caught Stephen standing in the middle of the classroom absorbed in thought as he examines all of the blocks. Again, if you live close to Grandma's Attic, you'll want to come in and see them for yourself.

UPDATE: Below are two more pictures of the blocks that are hanging in our classroom. You can click on the images to get a larger view to better appreciate the love and talent that has gone into each one.

Memorial Day

When I was little, my grandmother would take me to the cemetery with her a few days before Memorial Day so that we could tend to the graves of loved ones who had passed on. First, we would gather up the tools needed to clean grave stones and clip grass. Then we would select the best flowers from her garden. The back of her car would be filled with roses, carnations, sweet william, azalea blossoms and many other flowers. Irises were her particular favorite. After the car was packed, Grandma would drive us up to the cemetery so we could decorate the graves of family members and people she knew. My grandmother lived 38 years longer than my grandfather, a ship-builder in World War II. This Memorial Day observance was a yearly vigil for her; one that Stephen and I have continued since her passing in 1998.

I've noticed that there are more stones to clean and decorate as the years go by. This year, there were 10 of them. When we were through, we talked about how much we missed those who had influenced our lives, reflected on lessons learned from each of them, and how we might make our own lives more meaningful. Cleaning grave stones and decorating with flowers may be a small thing, but its become a tradition of honoring our elders and those gone before us.

Patchwork Party 2007

Hurry! You don’t want to be left out when the party ends in just eleven days(!) on May 31st. Don't worry; there’s still a little time for you to join this fun and fabulous program but you will need to act quickly! Most of you already know that the 2007 Spring Edition of Patchwork Party is a series of beautiful quilt blocks designed by Marti Michell using Moda’s Sanctuary line of fabric by 3 Sisters. So far, Spring 2007 has been a great "party" with many, many lovely quilts being made by our customers that are well on their way to completion. We've already seen a few and are full of admiration for the talent our customers possess. But once May 31st is here, these lovely blocks, one for each of the stores participating in this year's party, will be retired. (There's no doubt that those blocks will need the rest from the high-heeled good time they had at this year's party!)

Grandma’s Attic is the only quilt shop exclusively offering the Spring Glenn quilt block. You'll need to visit the other 11 shops to collect their particular quilt blocks.Once you've collected all twelve, you can buy our finishing kit entitled “A Rose by Any Other Name." Our queen size quilt measures 95” square and features beautiful appliqué.If you live close to our store, you’ll want to come in and see it.

If you’ve already purchased your blocks, you just might want to purchase another set and start the fun all over again. The blocks, postage paid, are a real bargain and are an economic way to make a quilt for family and friends.

Our Finishing Kit and all the accessories will continue to be available as long as we have fabric and supplies.

We're really looking forward to ending this year's party just like it started, with a big bang that promises loads of fabric fun!

Time Flies

After we got back from Dannielle's graduation, I was so busy at Grandma's Attic I wasn't able to post until now. It's amazing how quickly time can fly at certain times, and how slowly it can drag on at others.

This is a picture of Stephen and I that photographer Sarah Hillman took for the local newspaper, the Polk County Itemizer-Observer (Look for "Project comes from the Heart"). It accompanied an article that appeared on May 8 about the Virginia Tech Memorial Quilt Project that we have undertaken. I'm holding up the very first block that we received. The block was constructed by Barbara Lewis of Dallas. It is called Virginia Star. Isn't it beautiful? It's only one of many that we have begun to receive. We are currently in the process of identifying each block with the name of the Quilter, the City/State (Country) in which they live, and the name of the quilt block. We're placing them on the walls at Grandma's Attic and will soon be able to post photos of them. Just looking at the quilt blocks we've received is very powerful. I can feel the love and devotion in which they were all made. God bless each and every one of you who has made a block (or more) and sent it to us. We will soon create a page on our website to share them with you.

I hope to write more often now that I'm back from California, over whatever illness had me in its grip for a few days after that, and past the $5 Quilt Club that keeps us hopping the first Friday and Saturday of every month. We really have fun with the $5 Quilt Club and love seeing all our customers.

I'm also hoping to upload a picture of Stephen's baby chicks next time so you can see how much they've grown. They're almost teenagers now! The weather is getting warmer and the hens are laying more eggs. They like to stroll around the barn yard looking for tasty treats. The cats pretend that they are great hunters and stalk the chickens through the tall grass. All it takes to debunk that notion is for one of the hens to rush at a cat. The cats then go running off to the barn. The whole time this is going on, the two little daschunds bark themselves hoarse from the confines of their kennel. Then Edna, the cockateil gets into the act by screeching at the dogs. Have I told you that we have a real pet menagerie at our place? In addition to the pets, we have deer in the pasture (and/or snacking on the rose bushes), the occasional raccoon sneaking into the cat food dish, and a variety of other wildlife out in the fields. It's amazing. The kids have all left home but the animals, both tame and wild, provide us with hours of companionship.

Dannielle's Graduation

Stephen and I are heading down to Redding, California this weekend. Our daughter Dannielle is graduating with honors (summa cum laude) on Saturday. She has a degree in Cross Cultural Studies. She's not exactly sure whether she's continuing her education next Fall but she's been thinking she'd like to be a Physician's Assistant or Nurse Practitioner. We're very proud of her.

The Virginia Tech Memorial Quilt Block project is progressing. We are beginning to receive quilt blocks from the fabric that we've sent out. All I can say about these blocks is that they are fabulous! I hope to post pictures of them to the blog as soon as we get back from California.

I am a firm believer that every single one of us has a unique gift or talent to share with the rest of the world. Every once in a while, we are privileged to glimpse into a person's soul through the artistry of their quilt blocks. We are honored to be putting the quilt blocks up in the shop as they come in and hope to see yours among them!

To participate in this project, we are asking quilters who have been moved by the recent tragedy at Virginia Tech to join us by making a 12-1/2" square quilt block (unfinished size) in the colors of Virginia Tech--maroon and orange. We will then assemble the blocks into quilts. Finished quilts will be sent to Virginia Tech. Everyone who participates in this project will have their name listed on the quilt and included in the documentation about our project. If you would like to incorporate some of the Virginia Tech fabric we talked about in our last blog post, go to Grandma's Attic website and drop us a note in our comment section of the form on that link. While supplies last, we will send you a small piece of this fabric to use in your block.

Make your quilt block in the colors of Virginia Tech--maroon and orange. Please do not introduce other colors into the color scheme as this is a school spirit quilt. Add only maroon, orange and neutrals (white, black, gray, off white) to your quilt block. The block doesn't have to look dull and drab--just be predominantly Tech colors. Once you have finished your block, mail or bring it to Grandma's Attic at the address listed here on our website. Please note: in order to be included in the project, quilt blocks need to be returned to us by June 2, 2007.

This project is historically significant! It's a way of sharing what you were thinking and feeling at this moment in time with future generations. What could be better than that?

Love and Support for Virginia Tech

The overwhelming show of support for the students and faculty of Virginia Tech and all who were affected by the recent tragedy on that campus has been so profoundly moving, so deeply touching, that it is nearly impossible to describe it in mere words. It has only been a few days into the Virginia Tech Memorial Quilt Block project and we have already been privileged to witness the outpouring of love and concern for our fellow human beings in their moment of stunning grief and terrible sadness.

People from nearly every state in America, even from across the ocean in the United Kingdom, have sent in e-mails volunteering to help assemble the blocks for this very special project. Soon, we hope to share with you some pictures of the results of the concern for Virginia Tech and its process of healing. But for now, we thought we would share some of the comments we have received through our online store.

From New York: What a strange coincidence [for Stephen] to have "sneaked" in Virginia Tech Fabric [into the cart] and what a fitting tribute to a most horrific event. God works in mysterious ways to have directed you in this. Please send me a piece so I may be a part of your quilt project. Thank you.

From Texas: I just read your blog regarding Virginia Tech. It [...] really touched my heart. Such a tragedy in such a beautiful and peaceful place. I love Virginia, just having moved away a year ago. I would be honored to help make blocks for the quilts [...] for the families who lost their most precious gifts, their children.

From Arizona: I would like to be a part of [the] VT quilt. What happened there is just too awful for words. [The] quilt will say what some of us are having a hard time expressing in words.

These comments touched our hearts more than you know and affirmed our belief in the common decency of humanity. We have also received many other e-mails from graduates and alumni of Virginia Tech, like Stephen, who have been so troubled that tragedy could strike in a place dear to their hearts. It is clear that their love for their Alma Mater does not simply reside in the buildings on campus, but also within the students and faculty who attend or have attended.

Most moving of all, however, has been the heart-wrenching e-mails from people who have felt the touch of this tragedy even closer to their lives:

From Tennessee: My son is a field engineer [...], and is a graduate of VT. He was a jr. and sr. while [the shooter] was a freshman and sophomore. [...] He has a degree in Computer Engineering. The Israeli professor was his advisor when he was a freshman. [...] I wore my VT Mom shirt to work on Tuesday and have a Hokie shirt on today, since it is mourning day for the victims of the tragedy. That's OK, but this will be a more concrete thing to do.

From Virginia: I am from [Virginia], know many Hokies, and work with several mothers at Tech. It has been a horrific week. Thanks for offering something meaningful for the quilting community to do.

From Virginia: Please send me a piece of the VA Tech fabric. I would like to make a square or two for your quilts. Thank you and God bless you for your thoughtfulness. We lost a local student in the tragedy.

This response leads us to affirm the reason why we are making quilt blocks to assemble into quilts for the families who have felt the cold touch of these heart-breaking events. Blankets by themselves are a powerful symbol of healing and nurturing within a society. For example, one of the first methods to comfort someone suffering from grief and trauma is to wrap them in a blanket. Like blankets, quilts are also a symbol of healing, but through the art and love people put in them, and the messages they can convey, the healing can become more personal and touching. The love of family, the connection to home, the things that are important to us are woven into the spirit of a quilt block in a way much more powerful than a simple solid colored blanket.

Although we cannot be physically present to offer each individual affected by this tragedy our personal sympathies, to offer each person a comforting touch on the shoulder, we hope that we can offer the most tangible thing we can give instead: the fabric hug of a quilt wrapped around them.

Please Note: There is still time to participate! Follow the directions in the previous post (click here to view it) to receive the Virginia Tech Fabric, and remember, make sure your completed block is returned to us by June 2, 2007 to be included in the final assembled quilts.

Virginia Tech Memorial Quilts Project

Grandma's Attic is making memorial quilts for Virginia Tech. We are asking quilters who have been moved by this recent tragedy to join us by making a quilt block 12-1/2" square (unfinished size) in the colors of Virginia Tech--maroon and orange. We will assemble your blocks into quilts. Finished quilts will be sent to Virginia Tech as an offering to all who have been affected by recent events. Everyone who participates in this project will have their name listed on the quilt. If you would like to incorporate some of the Virginia Tech fabric we talked about in our last blog post, go to Grandma's Attic website and drop us a note in our comment section of the form on that link. We'll send you a small piece of this fabric to use in your block.

Make your quilt block in the colors of Virginia Tech--maroon and orange. Please do not introduce other colors into the color scheme as this is a school spirit quilt. Add only maroon, orange and neutrals (white, black, gray, off white) to your quilt block. Once you have finished your block, mail or bring it to Grandma's Attic at the address listed here on our website. Please note: in order to be included in the project, quilt blocks need to be returned to us by June 2, 2007.

Quilts have always served as historical symbols of comfort and support. As a Quilt Historian, I couldn't let this moment in history go by without commemorating it with a quilt full of the hugs and healing we all feel for the victims, survivors, students and faculty. God bless each and every one of you in advance for participating in this very special project. To learn more about Stephen's and my connection to Virginia Tech, please read the post below.

Tragedy at Virginia Tech

A few weeks ago, Stephen and I decided to take time away from our normal work routines and spend the day together. At the last minute, I remembered that I needed to get a few things at a fabric warehouse so I asked him to tag along. While I was picking out the fabric I needed for the shop, Stephen noticed some bolts of fabric with collegiate names on them. "Hey, honey," he said, "here's a bolt with Virginia Tech motifs on it." I sort of nodded in his direction and said, "That's nice," while continuing to shop the warehouse. When it came time to check out, Stephen loaded up the car while I talked with a sales rep about other things. Imagine my surprise when I got back to the shop and discovered that I was now the proud owner of a bolt of Virginia Tech fabric--bright orange with maroon motifs, including a football helmet and a turkey! We live in Oregon now. What in the world was I going to do with this? Stephen had apparently snuck the bolt into the cart while I wasn't looking!

I decided to make a joke about it at the $5.00 quilt club meeting. I told participants about how Stephen loved his alma mater, Virginia Tech. Not only did Stephen get all his degrees at Tech, but I used to work in the geology department. (What I remember about that job was that my desk was wedged in and among various buckets of rocks! Sometimes I would have to move little boulders off the desk so that I would have enough room to type--making sure to keep them labeled and in order for the professors to study.) I also told club members that it was obvious that Stephen liked this orange and maroon fabric or he wouldn't have snuck it into my cart. The kids and I decided that we would make him some "projects" for Father's Day, but we weren't sure what. I asked for and received suggestions from the group, including pillowcases, curtains for the tool room, a quilt in a pillow, etc. At the time, April 6 and 7, it was a pretty funny story.

Everything about that changed early morning on April 16. I was at my desk in the back office when my mother called and told me that there had been a "shooting" at Virginia Tech, one student was dead. I couldn't believe it! As the day progressed, the news got worse and worse, ending finally with the tragic discovery that 33 people, the gunman included, had been killed on the Virginia Tech Campus. Stephen and I were so shocked we spent the entire day glued to the television set. The whole thing was too horrific and overwhelmingly sad to actually take in and try to comprehend. I think we've continued to be in a state of shock over this. I've always wanted people to know about Virginia Tech, but this is certainly not what I wanted them to equate with the school. Can you imagine? "Virginia Tech--oh yeah, isn't that the school where that terrible shooting occurred?" I'd rather people remember Tech for all the positive things that make it special.

You see, Stephen and I met in Blacksburg, Virginia. Our first "date" was at Virginia Tech where we attended a play at Burrus Hall. We used to walk along the paths of the drill field, feed the ducks at the duck pond, visit the veterinary barns to see the cows, watch the 4th of July fireworks, and in general "hang out" together at Tech. Homecoming Parades were always a treat. The Highty Tighties marching band practiced in the streets of Blacksburg all year long, and we loved hearing them play. We loved the fact that the alumni band would come to town and ride in the parade on an air conditioned bus with the windows opened so that 80-year-old band members could serenade the crowds. We thought the alumni band always sounded the best!

We were married in Blacksburg. Two of our daughters were born at Montgomery Regional Hospital. I owned a business in the center of Blacksburg and was part of the Downtown Business Association that put on the summer festivals and raised money for downtown improvements. The business owners were special too. Shops had names like Mish Mish; Books, Strings & Things; Mainstreet Bazaar; E. Gadd's (that was my shop); College Inn, Carolee Donuts, and Gilly's Ice Cream. All of our shops were adjacent to the Virginia Tech campus, and during those years, we literally saw thousands of students come through our doors as friends, customers, co-workers, and employees.

While Stephen was busy getting his degrees, he had an office on the 2nd floor of Norris Hall, the building so central to this tragedy. He taught classes on the 2nd floor of Norris--in Room 211 to be exact. I visited him there many times. We always thought that Tech was a beautiful, peaceful campus with an energy all its own, and we think that to this day.

As you can tell, many of our fondest memories together are wrapped up in that school. Now, some of our saddest memories reside there as well. Stephen knew Professor Librescu, the Holocaust Survivor who used his body to block the door so that his students could escape.

So, needless to say, it's been a difficult week. Now, the fabric that Stephen put into our cart has special meaning. I've even called the warehouse and ordered the rest of this fabric that they had in stock. Stephen and I strongly believe it would be fitting to put together quilts for the families of the victims. We're asking others to join us in making quilt blocks from this fabric to be sewn into quilts. I'm also going to mention this project at my $5 Quilt Club. If you'd like to help make a block or two for this project, let me know.

Chick Day!

April 7th was "Chick Day" at our house. That's when Stephen went to the Feed Store and brought home six new baby chicks to add to his small barnyard brood. He's got 16 chickens now, counting the babies, and that's enough for anyone. Stephen registered his flock with the Oregon State University program to ensure that he has the latest updates on raising chickens and keeping them safe from illness. He built a special box for the new chicks, adjusted the heat lamp, and got everything placed "just so." Stephen's chickens produce an average of six to eight eggs per day. That means he's got as many eggs as the Easter Bunny. He gives them away to family and friends. The chickens come to him when he calls and follow him anywhere he goes!

Images of Oregon

We're pleased to announce that we now have one of our most popular redwork series available for purchase on our site: Images of Oregon. These lovely redwork patterns, thirteen in all, feature some of the most famous and recognizable icons of Oregon: the Covered Wagon, a Chinook Salmon, and Crater Lake just to name a few. Make a lovely dishtowel using these patterns, then give it as a gift to a friend or relative to remind them of home, or to bring a touch of the American Northwest into your life.

Twelve of the patterns here were originally featured in an earlier version of our equally popular Five Dollar Quilt Club, but we've added a bonus pattern as a special gift to those who buy this great packet. We've already seen some lovely examples of how these particular images have been incorporated into quilt blocks, samplers, and the like. Click on the picture to visit our site and order this great redwork embroidery project!

Rare History!

Back in 1969, Bonnie Leman published the very first issue of Quilter's Newsletter from her own kitchen table and the quilting world has not been the same since! Still going strong today, Quilter's Newsletter is one of the flagship magazines of the Quilting world, a place where quilters can find the latest quilting news, get great new patterns, or learn the best tips and tricks on how to make your quilt and the love of quilting even more enjoyable.

Well, have I got NEWS for you! My friend is offering to our blog readers the very first opportunity to bid on a rare piece of quilting history: 34! years of Quilter's Newsletter magazine in one huge collection, nearly all of the consecutive issues from March 1972 through to December 2006. (The collection is missing only two issues from that date range: #42 Apr. 1973 and #148 Jan. 1983. However, a bonus issue, #15 Jan. 1971, will be included in the final winning bid.)

Wow! is about all I can say. This collection is a veritable treasure trove of quilting history and information that would be hard for any serious lover or scholar of quilting and Quilter's Newsletter Magazine to pass up. Certainly, this collection would be a presitigous and welcome addition to any quilt library.

To bid on this collection of approximately 300 issues, all you have to do is sign our guestbook AND, in the comment box, write in "BID ON Q.N. Magazine" with the amount (in US$) that you would like to offer!

(*The winning bidder also pays for shipping or can arrange to pick up at our location.)

We'll respond to the best offer as soon as we can and let everyone know when my friend closes the bidding. Don't miss your chance on this great bit of quilt history!

Fun with Dick and Jane

Do you remember Dick and Jane? These popular children's reading books featuring Dick and Jane were first introduced in the 1930s. They taught school children reading, values, and to be of good cheer for nearly 40 years. The simple sentences were repeated over and over again until children could catch on.

I first learned to read with the now famous Dick and Jane books. So, when I saw that Michael Miller was introducing a new collection based on these beloved books, I simply had to see it. And, you know what? The Dick and Jane Fabric Collection was so wonderful that we ordered it in both colorways! Our Retro bundle features 17 Fat Quarters of coordinating fabric in retro colors with a coordinating panel on cream backgrounds. To order the Retro bundle, click here! Our Primary bundle features 19 fun Fat Quarters of coordinating fabric in primary colors with a coordinating panel on white backgrounds. To order the Primary Bundle, click here!

The neat thing about having two colorways is that each colorway features totally different fabrics. If you want all 36 fabrics, plus the two panels, you will need to order both bundles. After you complete your own project using the fabric from this fun collection, you may be tempted to write your own Dick and Jane book: See Jane quilt. Quilt, Jane, quilt!

Mamie Eisenhower's Fudge Recipe

Can you imagine a quilt that costs you only $5.00 to make? If you follow all the rules and come to our in-store class faithfully, you'll have 12 quilt blocks for just that amount! Our five-dollar quilt club classes (already in full swing) are loads of fun, with door prize drawings, demonstrations and free patterns. The blocks are available in four different colorways, and classes meet the first Friday and Saturday of each month. You don't have to worry about classes having already started because you can join at any time. (Note: five dollars gets you started, and five dollars gets you re-started if, being a busy person like us, you happen to miss a class session.)

Our theme this year is the First Ladies of America. We've been learning about the lives of twelve of America’s First Ladies. Just this past weekend, we discussed the life of Mamie Eisenhower. There are a lot of great stories about Mamie, including the time early on in their marriage when she took Ike's old car to visit him where he happened to be stationed at the time. Although she did not know how to drive, she made the trip successfully, but once at the base, Ike had to jump into the car to get it to stop. The Eisenhowers were also known to occasionally eat dinner on snack trays in front of the TV set, usually watching one of their favorite shows like "I Love Lucy," or "You Bet Your Life."

But perhaps one of our favorite tidbits from Mamie Eisenhower's life happens to be her "Million Dollar Fudge" recipe, a recipe reproduced by housewives all over the United States in a variety of publications. Here it is:

Mamie's Million Dollar Fudge

• 4-1/2 cups of Sugar
• 2 Tablespoons of Butter
• 1 pinch of Salt
• 1 tall can of Evaporated Milk
• 12 ounces of Semi-sweet Chocolate Bits
• 12 ounces of German Sweet Chocolate
• 1 pint of Marshmallow Cream
• 2 cups of chopped Nutmeats

Heat the sugar, butter, salt and evaporated milk over low heat, stirring until the chocolate dissolves. Bring to a boil, and boil for six minutes. Put the chocolate bits, german chocolate, marshmallow cream and nutmeats into a heat resistant bowl. Pour the mixture you've been boiling over the ingredients you've just placed in the bowl. Beat until the chocolate has melted, and then pour it all into a pan. Let it stand for a few hours before cutting it into fudge sized pieces. Remember, it is even better the second day. Store in a tin box.

Patchwork Party

Patchwork Party 2007 – Spring Edition is a series of beautiful quilt blocks designed by Marti Michell using Moda’s Sanctuary line of fabric by 3 Sisters. The way it works is simple. You collect all 12 of these beautiful blocks by visiting the 12 online merchants participating in the program. Each of the 12 shops has an exclusive block that you can only get at that quilt shop. Our exclusive block is Spring Glenn. Marti said that she came up with the block in honor of her maiden name, "Glenn."

In addition to our exclusive quilt blocks, we've also created a way for you to turn your blocks into a beautiful quilt titled “A Rose by Any Other Name.” Our finishing kit includes the pattern and all the fabric you need to create a quilt top big enough to fit a queen sized bed! The 95" square quilt was designed by Rachel Greco and Marge McCanse using a traditional quilt block designed by Jane Davis. Quilting was done by Virginia Chandler. The appliqué part can be done using traditional, needleturn or fusible web methods.

We are really excited to be a part of Patchwork Party 2007 again this year. It has been really fun to hear from our customers in the shop and online, and to discover how they've chosen to create their quilts. Sewing with friends can be lots of fun! Many customers have held "parties" of their own, inviting their quilting buddies to work on their blocks together. We think that's a delightful way to make the blocks and be with friends. And if you just happened to bring a chocolate cake, well, what could be more fun than that???

Chinese New Year

February 18th marks Chinese New Year. And, according to the Chinese Zodiac, this particular year happens to be the "year of the pig." It is believed that people born during the year of the pig are generally more honest, straight-forward, and successful than those born during other years. We're not completely convinced that is the case. But we do know one thing: the pig is only about one of the cutest animals on the entire planet ever!

So, to mark the occasion, we're highlighting our latest fabric arrival featuring Olivia the Pig, a pig who loves to dance, paint, and even go on the occasional beach trip to build sand castles. Olivia, in her debut book by Ian Falconer, won the Caldecott Award for children's literature. But everyone, children or adults, enjoy the irresistible enthusiasm and creative spirit of Olivia and her many adventures, the latest adventure being perhaps in your next quilting project. Check our newest products pages often for Olivia's next spirited arrival!

UPDATE: Olivia has arrived! Check out all of the fabulous fabrics in this whimsical line by clicking the above link!

We're Back!

Welcome to our blog "In Grandma's Attic," the place where you can find out all the latest news about Grandma's Attic. Here you get all of the inside information about our fantastic sales, new products and reviews, favorite recipes, and all our upcoming secret projects.

Way back in the Spring of 2005, we had a vision of sharing our love of quilting and all of the related fiber arts with all our fabulous customers with a blog, "blog" being a fancy new word for an online journal. As one of the oldest and most respected online quilting retailers on the world wide web, it just made sense for us to connect with our customers in this way.

While many projects and developments have kept us busy for the last few years, we've decided to come back from our hiatus with an official relaunching. Whether you've discovered us for the first time, or are a regular customer, we'd like to welcome you to our new online adventure.

Our Recent Vacation

Stephen and I took a mini vacation earlier this month. It was nice to visit other sites in Oregon. We basically started driving from the Willamette Valley area and went all the way to Joseph, Oregon. We then went back to Enterprise, crossed up into Washington and went as far as Lewiston, Idaho.

One of our stops was at Bonneville Dam and Fish Hatchery. Bonneville Dam was built in 1938 and has a large public viewing facility. We got to see Herman the Sturgeon. As you can see, he is quite a large fellow!

We had a great time and saw many interesting historical sites including sections of the Oregon Trail, sites related to Lewis & Clark's Corps of Discovery, beautiful landscapes, and Native American interpretive centers. Stephen enjoyed the buffalo just outside of Enterprise. I'll share more about our trip in a future post.

Stories My Grandma Told Me

Stories My Grandma Told Me - Civil War Colorway

This is one of my favorite Block of the Month programs. The old-time patterns are entwined with fascinating stories that my Grandma told me about her life. As a Block of the Month program, we send out a different kit each month. Kits are composed of a story from Grandma plus instructions for making a 12" pieced quilt block. Kits come in three different colorways: 19th Century (the quilt shown here), 1930s colors and Blender Brights. All of our Block of the Month programs are set up so that you can start at any time of the year and still receive all of the blocks. This is really fun. If you'd like to order this program you can find it at our website.